Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Baron Jean-Baptiste Regnault 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
96419 Achilles educated by Chiron Baron Jean-Baptiste Regnault Achilles educated by Chiron Oil on canvas, 1782. cyf
75248 L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE Baron Jean-Baptiste Regnault L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE Date 1786 Medium peinture X l'huile ; toile Dimensions 120 X 140 cm (47.24 X 55.12 in) cyf
81493 L'education d'Achille par le centaure Chiron Baron Jean-Baptiste Regnault L'education d'Achille par le centaure Chiron L'Éducation d'Achille par le centaure Chiron (Achilles educated by Chiron). Oil on canvas, 1782. cjr
76656 Portrait of Jean-Pierre Bachasson, comte de Montalivet Baron Jean-Baptiste Regnault Portrait of Jean-Pierre Bachasson, comte de Montalivet 1810(1810) Oil on canvas 216 ?? 141 cm (85 ?? 55.5 in) cjr
85349 Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Baron Jean-Baptiste Regnault Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Oil on canvas, 1791 cyf
81313 Socrate arrachant Alcibiade du sein de la Volupte Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte Oil on canvas, 1791. H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
81647 Socrate arrachant Alcibiade du sein de la Volupte Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte Socrate arrachant Alcibiade du sein de la Voluptx (Socrates Tears Alcibiades from the Embrace of Sensual Pleasure). Oil on canvas, 1791. Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
82552 Socrate arrachant Alcibiade du sein de la Volupte Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte Oil on canvas, 1791. Date Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
85350 Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Baron Jean-Baptiste Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Oil on canvas, 1791. Date Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cyf
90075 The Education of Achilles Baron Jean-Baptiste Regnault The Education of Achilles 1782(1782) Medium oil on canvas cjr
20902 The Education of Achilles by the Centaur Chiron (mk05) Baron Jean-Baptiste Regnault The Education of Achilles by the Centaur Chiron (mk05) 1782 Canvas 103 x 84 1/2''(261 x 215 cm)Reception picture at the Academie Royale de Peinture et de Sculpture in 1783 Salons of 1783 and 1791;collection of the Academie Royale.INV 7282(MN)
44050 The Genius of France between Liberty and Death Baron Jean-Baptiste Regnault The Genius of France between Liberty and Death 1795 Oil on canvas, 60 x 49 cm
91112 The judement of Paris Baron Jean-Baptiste Regnault The judement of Paris 1820(1820) Medium oil on canvas cyf
89554 The judgement of paris Baron Jean-Baptiste Regnault The judgement of paris 1820(1820) Medium oil on canvas cjr
98197 The Judgment of Paris Baron Jean-Baptiste Regnault The Judgment of Paris 1820(1820) Medium oil on canvas cyf
44030 The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd Baron Jean-Baptiste Regnault The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd 1785 Oil on canvas, 120 x 140 cm
71806 The Three Graces Baron Jean-Baptiste Regnault The Three Graces Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.
20903 The Threrr Graces (mk05) Baron Jean-Baptiste Regnault The Threrr Graces (mk05) 1793 Canvas 80 1/4 x 60 1/2''(204 x 154 cm)Bequest of Dr.Louis La Caze 1869 M I 1101(MN)

Baron Jean-Baptiste Regnault
Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
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